Artist: Jonathan Adler
Craft: Ceramics
Jonathan Adler is a wildly successful ceramic artist. I remember first hearing about him several years ago when his signature pieces started appearing on a new show called "Will and Grace." As you know if you've read my first post, "Welcome" I am obsessed with the "About Me" pages on crafters' sites. Jonathan's does not disappoint. The story of his life and career trajectory is told in timeline form, which allows us to see that it took approximately sixteen years from the time he first tried pottery at summer camp in 1978 to when Barney's placed their first order for his pots in 1994. Since that time, Jonathan has built a design empire that has expanded to include storefronts around the country and a line of textiles, bedding, furniture, and more. But he started out just like you and me: a crafter with a dream.
A unique feature of the site is Ask Jonathan, which allows you to pose questions that could possibly be answered by Jonathan on the website. It was in this section that I found the question and answer exchange below, which contains valuable pearls of wisdom for crafters with ambition:
Matthew:
What's it like going from humble potter to renowned designer?
Jonathan:
First of all, j'adore being called a renowned designer! Merci!
As for my career journey, I consider myself very lucky. When I quit my heinous job in the movie business and decided to try making a go of it as a potter, I knew that I was making a lot of sacrifices. I assumed that I was sacrificing any chances of success, money, fame, or glamour to pursue my passion for clay. I was totally fine with that sacrifice if it meant I would be happy.
When I first started my business, my idea of success was spending my weekends hawking my wares at rain-soaked craft fairs. Just being able to find an audience for my work would have been enough. So, I'm ecstatic to have the unexpected and quite fun design gig I have now.
My transition from production potter to furniture, textile, lighting, and interior designer involves lots of serendipity and pluck and luck and thought. I think that for me the most important thing was thinking of my work in a philosophical way rather than purely looking at the formal characteristics of my designs. In other words, when I first started I thought of myself as the "striped pottery guy". But, then I thought about what the point of my stripy pots was. I realized that I was trying to say a lot with my hand-thrown stripy pots. They were about good design and craftsmanship and modernism and they were definitely happy, unlike the dour minimalism that was so common.
The formal language was stripy pots, but the point of my work was Happy Chic. Suddenly, I realized that I could make improbable leaps in my work and my choice of media (from clay to pillows to furniture to retail design) as long as it all fell under the rubric of Happy Chic. When you look at my collection, you will see lots of different products and colors and patterns, but I hope that the main thing you see is a consistency of spirit and a lot of beautiful stuff!
I love Jonathan's Happy Chic aesthetic. How great to have a job that makes you happy and allows you to spread happiness to others. Jonathan's partner is Barney's Creative Director Simon Doonan, another multi-hyphenate who balances the occasional sassy appearances on America's Next Top Model (one of my faves!), with his regular column in the Observer and his Barney's gig. What a great creative couple. I love them!